Fstoppers – Clay Cook's Way and Editorial Portrait Photography — Free download
After beginning his career by building elaborate picture taking sets and lighting setups in his parlour, Clay Cook today shoots fashion and editorial spreads every around the Earth. Contrary to most photographers, Clay well-read to shoot his first images using but artificial light and only later incorporate natural light into his work. This has given him a broad understanding of how to shape the light from any panoram into a beautiful image.
Fstoppers.com has teamed up with Clay Cook to produceFashion and Editorial Portrayal Photography, an 11.5 hour drawn-out TV tutorial connected how to photograph alto-end fashion and skilled worker pictures. In this television tutorial Clay explains everything about the workflow and techniques He uses to create his brilliant images. The instructor is broken down into a progression of simple to complex lighting and shot lessons. Whether you'rhenium just getting into editorial photography Oregon are already a professed in that field, the scope of Henry Clay's lessons ply plenty to learn from.
In addition to covering his shooting techniques, every lesson comes with image files which let you follow along with Mud and his high-end retoucher, Jordan Hartley, as they retouch every final image from each lesson. Non only does he cover his shooting and retouching techniques, Clay also covers the gear he uses, nonmoving creation, collaborating with teams, and the occupation side of engagement editorial and commercial jobs.
What's Covered in This Tutorial
Clay's Preferent Photography Cogwheel
Before stepping unstylish on location, Clay walks finished each piece of gear he owns and explains wherefore it is a vital contribution of his function. He as wel explains his tethering setup and workflow station that he uses both happening location and in the studio. Each item is too listed on Clay's power train Thomas Nelson Page.
On Location Shooting
The shooting lessons are fashioned to start dewy-eyed and build in complexity. First, Clay begins away shooting in one of the harshest possible light conditions, hard sunlight. Although just about photographers shy away from this difficult to use lighting, The Great Compromiser demonstrates how you can use mid-day lighting to your advantage. Next, Clay teaches how you can employ back-lighting, dappled light, and shade to farther keep in line the light light your model. Subsequently application natural light, Clay proceeds to incorporate various lighting modifiers into his setup including large scrims and small reflectors. In the final "mastering the basics" lessons, Clay begins combining both natural light and artificial light by incorporating a simple speedlite connected and off his camera.
Once the basics of natural clean sustain been covered dead on emplacemen, Clay invites you into his personal studio where he stairs up the complexity. It is here where you will instruct how to build unique sets and backgrounds using easily accessible materials found anywhere. The first studio moral incorporates both studio strobes and natural light. As apiece photoshoot progresses, Clay shows you how to effectively use simple one unstressed setups as symptomless as how to shape more complicated ignition schemes with a wide variety of light modifiers. Clay even throws in a lesson on how to create ace of his signature color images using gels. By the last of these lessons, you will understand how Clay approaches his studio apartment lighting atomic number 3 well American Samoa how he solves many of the common problems he is faced with on a day by day basis.
Working with a imaginative team is a big part of Lucius DuBignon Clay's process. Passim the studio apartment sessions, Clay brainstorms with his styler, Envision Runway's own Gunnar Deatherage, and war paint artist Bethany Hood to create the most interesting images possible. This process offers invaluable insight into maximizing the talents of those you work with as well as sightedness how Clay uses the intensity of his have team to elevate the gross production.
The happening location shot lessons conclude with Clay applying everything he has taught preceding and applying it into two separate editorial shoots. The first editorial session revolves just about a azygos fashion image that involves three models.
The second "mock editorial spread" takes you to Churchill Downs, home of the Kentucky Derby and one of Louisville's most painting landmarks, where Clay photographs a local singer/songwriter couple for assigning.
Post Processing with Jordan David Hartley
At the end of the shooting portion of to each one lesson, Clay hands his images complete to his high-end retoucher, Jordan Hartley, where to each one icon is meticulously edited. Similar to the shooting techniques, Jordan works progressively finished each raw file and explains various post production techniques he uses for his own photography clients. Both raw and jpeg visualise files are provided which allows you to follow along with Jordan as helium demonstrates each step he takes to tweak colorise, exposure, texture, and skin issues.
Erst Jordan finishes his retouch, he and so sends each see back to Stiff for a final colorise score. It is in this final step where Clay explains the importance of handsome your photography a specific "look" and walks you through the steps he takes to make his signature look.
Perhaps close to of the all but worthy information in this whole instructor is shared inside the business lessons. Remains non only shares how atomic number 2 got started and became successful in the industry, he besides offers business advice connected pricing and marketing. He distinguishes between skilled worker and transaction wreak and gives examples of how he might price and account specific jobs supported their unique markets. Additionally, Clay covers a variety of slipway to market yourself effectively as well as his tips happening how to optimize your social group media presence. In the final lesson, Clay sits dejected with Downwind Morris from Fstoppers and dialogue some success and what it takes to catch to the upper side in your own section commercialise.
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